Release Date : Mar 15, 2013 Wide
Genre :Mystery & Suspense Mpaa Rating : RWhen veteran 911 operator, Jordan (Halle Berry), takes a life-altering call from a teenage girl (Abigail Breslin) who has just been abducted, she realizes that she must confront a killer from her past in order to save the girl's life. (c) Sony R
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Actors For The Call
Genres The Call : Mystery & Suspense
Visitor Ranting & Critics For The Call
User Ranting Movie The Call : 3.7User Percentage For The Call : 67 %
User Count Like for The Call : 48,042
Critics Ranting For The Call : 5.2
Critics Count For The Call : 121
Critics Percentage For The Call : 44 %
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Special Review For Movie The Call
Just when the movie has us in its grasp, the script falls to pieces and turns into a crass female-in-peril button-pusher.Trevor Johnston-Time Out
Crude as it is, The Call milks its jump scares and don't-go-down-to-the-basement tension for all they're worth. See it with a full house, if you absolutely must see it at all.
Sam Adams-Time Out New York
Let's call The Call what it is: high quality trash that both diminishes and is redeemed by all the talents who have deigned to bring it to life.
Elizabeth Weitzman-New York Daily News
If you're going to watch a movie in which two people talk on the phone for most of the film, it's not the worst thing in the world for one of the folks involved to have the face of Storm from the X-Men.
-Entertainment Weekly
This is as brain-dead as a movie can be and it assumes the audience will have the I.Q. of a rutabaga.
James Berardinelli-ReelViews
It's a lot better than you might expect a movie like this to be.
Stephen Whitty-Newark Star-Ledger
Halle Berry delivers an emphatic reminder of her star status in this tightly-plotted low-budget thriller.
Andy Lea-Daily Star
Relentlessly suspenseful, this lean thriller has an emotional subtext that makes it almost unbearably involving.
Rich Cline-Shadows on the Wall
The Call delivers taut no-frills thrills for two-thirds of its brisk, hour-and-half running time. But the plot falls apart spectacularly as soon as Halle leaves the 911 control room and the ludicrous finale will leave you groaning.
Jason Best-Movie Talk
A film that was just highly improbable for 75 minutes loses its mind thereafter and invites you to do the same.
Ed Whitfield-The Ooh Tray
While plausibility is often stretched to the limit, the sense of threat will keep you on the edge of your seat, even during a ridiculously gratuitous denouement.
Graham Young-Birmingham Mail
The familiar serial-killer flick gets a welcome shakeup, upending the woman-as-victim cliché and offering a bracing new perspective on an oft-told tale.
MaryAnn Johanson-Film4
The Call is the kind of vaguely smart, extremely gory gloop you should watch on TV, preferably when you're tucked up in bed with a delirium-inducing fever. That way, you won't notice when the script goes bonkers.
Charlotte O'Sullivan-This is London
The Call begins as a moderately effective thriller, showing us a side of the LA police we haven't seen before. Then it gets dumb. Then it gets much dumber.
Christopher Tookey-Daily Mail [UK]
Berry and Breslin make a good women-in-peril double act.
Henry Fitzherbert-Daily Express
A promising picture turns into gibberish. Shame.
Peter Bradshaw-Guardian [UK]
The story and set-up feel conceptually flawed from the get-go. This was never going to end well.
David Jenkins-Little White Lies
It's a neat nerve-frayer with lessons for anyone finding themselves trapped in a confined space and needing to alert the outside world.
Nigel Andrews-Financial Times
It's the trashy premise that hooks you in.
Tim Robey-Daily Telegraph
After this unusually well-made thriller builds suspense to almost unbearable levels, the filmmakers nearly throw everything away with a gear-change so contrived that we can't help but laugh.
Rich Cline-Contactmusic.com
Smartly directed and sharply written, The Call is a suspenseful and engaging thriller with superb performances from Halle Berry and Abigail Breslin, though it stumbles a little in the final act.
Matthew Turner-ViewLondon
It's a tense, taut thriller that only eases off the tension in the final reel.
Tim Evans-Sky Movies
Tense, effective popcorn pulp that smashes to smithereens the tired trope of woman-as-victim.
MaryAnn Johanson-Flick Filosopher
The kind of clichéd nonsense so common in the mid-'90s, it's a throwback - and not necessarily in a good way.
Neil Alcock-Empire Magazine
Claustrophobic and low-key, the bulk of the film works brilliantly - helped in no small part by Berry's fantastically fractured performance.
Paul M. Bradshaw-Total Film
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